An Asawa SOTA alumnus (Technical Theatre, 1995), Ron has a wide range of professional experience, having worked with ABC/Disney, BBC Worldwide, the San Francisco Opera, American Conservatory Theatre, the Mendocino Music Festival, and the San Francisco Conservatory of Music, among others. His credits include: (Television) Dancing With The Stars, GCB, (Theatre) Company, Gypsy, Steel Magnolias, Damn Yankees, A Funny Thing Happened on the Way to the Forum, My Fair Lady, She Loves Me, The Skin Of Our Teeth, The Colored Museum, Ma Rainey's Black Bottom, The Boys from Syracuse, Bizet's Carmen, Gian Carlo Menotti’s L'Amour à trois, and the West Coast premieres of Michael John LaChiusa's The Wild Party, Heather McDonald's The Rivers and Ravines, and Bob Marley's Three Little Birds, with Bay Area Children's Theatre. Founder of Ron Sebastian Designs, his couture line has been featured in OUT Magazine. In 2015, he received a double nomination for Best Costume Design of a Musical from the BroadwayWorld.com Awards, where he was also featured for his work directing the 2016 SOTA Spring Musical, CABARET.
A tireless advocate for youth, Ron has been involved with various local and national organizations and city governments for more than 20 years, working to create and implement programs and systems inclusive of the wants and needs of young people. He has worked with the San Francisco Youth Commission, San Francisco Recreation and Parks Department, Lieutenant Governor Gavin Newsom, former Mayor Willie L. Brown, LYRIC, Community Network For Youth Development, Boys and Girls Clubs of America, Friends of the School of the Arts Foundation, and the National Foundation for Teaching Entrepreneurship. He was the founding President of the Ruth Asawa San Francisco School of the Arts High School Alumni Association, and has been recognized by the California State Assembly and the San Francisco Board of Supervisors.
A teacher and choreographer for more than fifteen years, Elizabeth was encouraged to create choreography for yearly performances for the Youth Ballet Theater of Austin, while receiving an extensive Royal Academy of Dance training. She began studies at Ballet Arts Academy at age seventeen in Spokane, Washington. She and her twin sister, Melissa, created several dance pieces for Ballet Theater of Spokane for which they received the 1st Place Award, Choreography Division in the Allied Arts Festival.
Elizabeth attended Cornish College of the Arts in Seattle as a Dance Major and was also employed as a camp counselor and mentor for students attending the Pacific Northwest Ballet summer program.
She attended the Alonzo King LINES Ballet summer program in San Francisco in 2003 and the LINES Ballet Year Round Training Program in 2004 and toured the United States and Canada for four months as a dancer and co-choreographer with Carpetbag Brigade, a physical theater group. Elizabeth has created three new works for the ODC PILOT program is one of the creators and co-choreographers of The Fossettes, a group inspired by Bob Fosse. Elizabeth joined the Theatre Department in 2013 and has been teaching at the ODC Rhythm & Motion School for three years and has created choreography for both the ODC School and the ODC Dance Jam.
Jeanne took her first classical ballet lessons at age 6 in the living room of a professional ballerina who lived in her neighborhood and eventually trained at the Cultural Center of the Philippines. Her family moved to California when she was in highshool and at age 19, she joined Los Ayres – a classical ballet studio where she trained under Judith Byfield (Vaganova Method). As an adult, she trained with friend and mentor, Berle A. Davis (jazz, tap) at Dance Arts Centre.
A teacher and choreographer for over 20 years, Jeanne spent the last 15 years as the resident choreographer and dance program director of the award winning youth theatre arts company, StarStruck Theatre in Fremont, CA. While there, she worked on over 30 mainstage productions, developed an intensive mentorship program for aspiring dancer/teacher/choreographers/storytellers and built a thriving theatrical dance program that placed emphasis on Broadway style jazz, lyrical movement and tap, including the short-hand method of Kahnotation. Along with dance, she coached young actors in body language techniques and body awareness for a number of projects, including Beauty and the Beast, Shrek, The Musical, Annie, Seussical, The Musical and The Little Mermaid to Cats, 42ndStreet, Les Miserables, and Mary Poppins.
Jeanne has directed/choreographed for several theatre companies around the San Francisco Bay Area, including Palo Alto Players (Altar Boyz, Annie, The King and I), Pied Piper Players (Lucky Duck Just So) and Hillbarn Theatre (Annie, Tapestry). As a performer, she was blessed with the opportunities to play her dream roles including: Diana in A Chorus Line (Broadway By The Bay), Anita in West Side Story (Broadway By The Bay) and Mary in Jesus Christ Superstar (City Lights) and is an original member of CabaRay, the Cabaret to Fight AIDS, founded in 2001 by Sean Ray.
Terry Bamberger is a SF Bay Area theatre educator, acting coach and actor. She trained young actors at Ruth Asawa San Francisco School of the Arts for 5 years as an Artist-In-Residence, then took on a full-time training program working with 6th through 12th grade performers at Oakland School for the Arts where she has been for the past 6 years. She is thrilled to be rejoining SOTA’s Theatre Department.
Her recent theatre credits include Three Tall Women at Custom Made Theatre Company (2014 Bay Area Theatre Critiques Circle Nominee for best performance), the West Coast Premiere of Year of the Rooster at Impact Theatre, Jeremy Bloom’s Peter/Wendy also at Custom Made Theatre Company, and the premiere of Singulariteen at the SF Fringe Festival, as well as The Winter’s Tale, Romeo & Juliet, and The Tempest at SF Shakespeare Festival. She trained at American Conservatory Theatre, and has studied with members of the Royal Shakespeare Company. Film/tv credits include Coffee & Language and General Hospital.
Bamberger is honored to be a recipient of the 2013 Theatre Bay Area Titan Award.
Writing for Musical Theatre & Physical Theatre
Brady Lea is a performer, playwright and theatre arts educator. She is currently an associate resident playwright with 3Girls Theatre where her new play Big Mike With Peaches recently had its first public reading. She is a four-time Emerging Playwright Award winner and playwright-in-residence at PlayGround where she has had several full-length commissions and countless short plays staged. Brady has taught playwriting and theatre to students of all ages in numerous public schools, conservatories and private studios. She has been an Artist-in-Residence at the Ruth Asawa San Francisco School of the Arts Theatre Department since 2007, teaching Clowning, Improvisation and Physical theatre.
Brady is a graduate of Ringling Brothers and Barnum & Bailey Clown College and has a degree in Writing and Performance. She has performed as a clown, juggler, mime, actor, and improviser. She was a founding member of the Vaudeville trio The Kloons with whom she wrote and performed preformed throughout the Bay Area, across the United States and Canada. She also serves as President of the Board of Directors of the WELL, the pioneering online community founded in 1985. Brady lives in San Francisco with her husband, historian David Gallagher.
Writing for Musical Theatre
David Möschler is an award-winning San Francisco Bay Area-based musical director and conductor. He has music-directed over one hundred musical theater, opera, and theater productions, and conducted over eighty pieces for orchestra, including over two dozen first performances. Recent regional theater productions include musical direction for Berkeley Repertory Theatre, San Jose Repertory Theatre, Shotgun Players, Center REPertory Theatre, Ray of Light Theatre, Boxcar Theatre, Erika Chong Shuch Performance Project, among many others, as well serving on the conducting staff of Cape Cod’s College Light Opera Company for six consecutive summers. He is the recipient of two Bay Area Theatre Critics Circle Awards, and won second place in 2012 for The American Prize in Music.
In the spring of 2013, Möschler founded the Awesöme Orchestra Collective, which meets regularly and holds free, low-pressure, high-level orchestra reading sessions of new and traditional repertoire in non-traditional and accessible locations. In demand as both a vocal coach, cabaret artist, and orchestra contractor, he has held masterclasses and guest lectures at San Francisco Conservatory of Music, San Francisco City College, and Cal State East Bay Hayward and has served as adjunct faculty for several Bay Area high schools and colleges. After receiving his Bachelor of Music and Bachelor of Arts in Physics at UNC Chapel Hill, Möschler completed his Master of Arts in Music for conducting, under the tutelage of Professors D. Kern Holoman and Jeffrey Thomas at UC Davis, publishing his thesis on Rodgers and Hammerstein’s Carousel.
Equally at home in a pit orchestra, rock or jazz band, on the concert stage, in a recording studio, or in academia, Möschler seeks out musical adventures and innovative projects of all kinds and strives to make orchestras as diverse and accessible to as many people as possible.