Elizabeth has performed with numerous Bay Area theaters including California Shakespeare Theater, San Francisco Shakespeare Festival, Magic Theatre, Word for Word, Lorraine Hansberry Theatre, San Jose Stage and TheatreWorks and the Aurora Theatre Company. Her favorite roles include Rose in Fences, the Bawd in Pericles, Effie in Dreamgirls, Mistress Ford in Merry Wives of Windsor, and Agnes in Agnes of God. She was last seen in the Aurora Theatre Company production of Trouble in Mind, which won 6 Bay Area Theatre Critics Circle Awards. Elizabeth has been featured in Theatre Bay Area Magazine as someone to "Keep an Eye On".
As an artist, Elizabeth has been a part of the SOTA Theatre Dept since 2005. Her teaching career has led her to work with students from of all ages from Kindergarten to adult actors and she has trained teachers in alternative ways to access literature through theater. Elizabeth has spent the last 17 years teaching acting, voice and Shakespeare performance across the Bay Area for companies such as California Shakespeare Theatre, Berkeley Rep and Brava! For Women in the Arts. She is also currently the Education Director for the Lorraine Hansberry Theatre.
Playwriting / Play Analysis
Aren is a playwright, director, and actor. In 2010, he received an MFA in playwriting from Columbia University. His short plays have been produced both here and abroad, in the Bay Area, New York City, Chicago, and London. Aren's work has been published twice in Smith & Kraus's Anthology of Ten-Minute Plays. He has directed his own work in San Francisco and New York with the theater company, Slacker Theater and as an actor, he has appeared in several productions in the past year in the Bay Area, most recently Off-Broadway West's production of Yasmina Reza's Life x 3.
Brady is a performer, playwright and theatre arts educator. She is a four-time Emerging Playwright Award winner and a playwright-in-residence at PlayGround where she has had several full-length commissions and countless short plays staged. She was a founding member of the Vaudeville trio The Kloons (with fellow SOTA A-I-R David Magison) with whom she performed throughout the Bay Area, across the United States and Canada. She has performed in The David and Brady show with her husband David Gallagher (as well as several SOTA Theatre alums.) She is a graduate of Ringling Brothers and Barnum & Bailey Clown College and has performed as a clown, juggler, mime, actor, and improviser. Brady has been a SOTA Artist-in-Residence since 2007. She serves as co-owner and CEO of the WELL, the pioneering online community founded in 1985.
An Oakland, California native, Michelle began her training in ballet and modern dance with the Parks and Recreation department. After graduating from Skyline High School of Performing Arts, she returned to Parks and Recreation, where she served as a specialist in dance and visual arts for thirteen years.
While pursuing a major in Dance and Performing Arts Michelle had the opportunity to train with Katherine Dunham and several masters of the original Dunham Dance Company. Her passion for dance and performance have taken her to the Alvin Ailey School of Dance and independent studies with Jean Leon Destine and Richard Gonzales in New York City. Ms. Martin traveled through Nigeria, Cuba, and Haiti to study dance and music through religious ceremony.
Michelle has conducted classes in Dunham technique and traditional Haitian dance, at several San Francisco Bay Area institutions including Lines Contemporary Ballet, CitiCenter Dance Theater, Rhythm and Motion, Alice Arts Center, Mills College, and is currently at Dance Mission and ODC Dance Commons. Ms. Martin has been an Artist-in-Residence with the San Francisco Unified School District since 1989.
Having done extensive study, workshops, master classes, performances and choreography, she has worked with Bantaba and Diamano Coura West African dance companies, toured Nigeria with Wajumbe Cultural Ensemble, worked with Obakoso, Jose Francisco Barroso’s Cuban Dance Ensemble and was the Assistant Artistic Director, choreographer, principal dancer and singer for the nationally acclaimed Group Petit la Croix, Haitian Dance company with Blanche Brown.
Ms. Martin is founder and Artistic director of Michelle Martin & Konpayi, a group of artists who range from high school students to professionals in the community who are committed to the preservation of Traditional Haitian dance and music.
Singing for the Actor
Michael was the musical director for the 2014 Theatre Department production of Hair and Stage Director and Choreographer for the 2015 school-wide musical The Music Man. He works regularly as a performer, musical director, stage director, and choreographer. Originally from Vincennes, Indiana, he is on faculty at the Community Music Center, and is the Director of the Musical Theatre Ensemble at the San Francisco Concervatory of Music. He received a Bay Area Critics Circle nomination for Best Musical Director for Boxcar Theater's Rent Boy Ave., for which he also composed the score.
Recent stage directing credits include La Boheme (SFCM), Bob Marley’s Three Little Birds (Bay Area Children’s Theatre), and The Full Monty (American Conservatory Theater - MFA Program). His production of Wilde Boys (New Conservatory Theater) in which he also performed is a Bay Area Critics Circle Award winner for Best Musical Production.
Equally at home in opera and musical theatre, his roles include the title role of Handel's Orlando, Spirit/ First Witch (Dido & Aeneas, Handel Opera Project), Jake (Porgy & Bess), and Amenhotep (Akhnaten). He has sung the ‘Roasting Swan’ in Carmina Burana and has been a soloist with the Early Music groups Ansámbl Luython and the Vinaccesi Ensemble.
He holds degrees from Columbia University (BA in Music and History/Sociology) and San Francisco Conservatory of Music (MM in Vocal Performance). Other affiliations have included San Francisco Opera Chorus, San Francisco Symphony, Jarvis Conservatory, Livermore Valley Opera, and Guggenheim Entertainment.
The former Artistic Director of Theatre of Yugen and also a meber of the company, and a student of Founder Yuriko Doi since 1993, Jubilith has studied Noh with Richard Emmert, Akira Matsui and Kinue Oshima (Kita school). Through a Japan Foundation Fellowship, she pursued further training with several Noh masters. She has performed in numerous productions with Theatre of Yugen and continues to add new roles and plays to her Kyogen repertoire. She plays a variety of characters, ranging from wily servants, duped masters, pompous priests, to dim thieves, religious zealots and quack doctors. Ms. Moore is a graduate of Bard College. Learn more about her many achievements right here. (Jubilith is on sabbatical during the 2015-2016 School Year.)